Happy Together Season 4 Episode 18 Download Variety Show English Subtitles
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Season 1
PilotGo Fighting Season 3 (Lay) The Next (Lay) Happy Camp (Lay) Fantastic Duo (Chen) Happy Together (Kai) The Taemin: Xtra Cam (Kai) 2018: EXO Arcade (EXO) Knowing Bros (EXO) ‘Love Shot’ Midwinter Night V Live (EXO) Travel the World on EXO’s Ladder (CBX) Lee Soogeun’s Channel (Baekhyun, Kai, Sehun) Happy Together (Baekhyun, Sehun) Kingpin.
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Radio Star
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Claire and Peter are married and live a life full of routine, but when mega star Cooper shows up in front of their doorstep, they get dragged into his life of fame and all that comes with it.
ScrubbingRate
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Jake and Claire try to clear their house of old and forgotten belongings in an effort to emulate Cooper's minimalist lifestyle, but they find that letting go of the past is not so easy.
Let's Work It OutRate
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Jake and Claire go on the most intense exercise program of their lives when Cooper has to get in shape for an underwear ad, inspiring them to ditch their junk-food and join his ultra-healthy lifestyle.
About Your ParentsRate
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When Claire gets sick, Jake is determined to prove that he can take care of her without relying on her parents, Bonnie and Gerald.
Like Father, Like SonRate
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When Jake's father, Mike (Damon Wayans), visits, they are excited to spend quality father-son time together. Also, Jake and Claire awkwardly attempt to keep their romance alive while she is traveling on business.
Bland GesturesRate
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When Cooper turns to Jake and Claire for advice on a big romantic gesture to impress a popular singer, they realize they should start making grand gestures in their own relationship.
How Jake and Claire MetRate
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When Cooper asks Jake and Claire how they met, Jake keeps embellishing the story of their college romance, while Claire points out the real details.
Til Death Do We PartyRate
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Jake and Claire worry that Bonnie and Gerald are partying too hard in their retirement. Also, Cooper seeks inspiration for a new song.
The Power of Yes... MenRate
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When Cooper helps Jake prepare for a big work presentation, they both realize that everyone always agree with Cooper only.
Home InsecurityRate
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Jake and Claire install a home security system after one of Cooper's stalkers breaks in.
A Claire-Free LifestyleRate
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Jake worries about their finances when Claire quits her job to pursue her passion; Cooper turns to Bonnie and Gerald for financial advice.
VowsRate
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When Cooper gives Jake and Claire an anniversary gift featuring their original wedding vows, tensions rise as they attempt to take their vows literally.
Backstage P(asses)Rate
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Jake and Claire decide to leave the comfort of their cozy bed for a wild night out as Cooper performs an intimate concert to debut new music.
I'm a black person who laughs at a racist show. There--I said it.
Life in Pieces is often hilarious, usually insightful, and fully racist. Black people appear as if this is a plantation narrative: they're 'the help,' they're 'in the background' (check out Toni Morrison's Playing in the Dark--a profound analysis of the way black people function as 'shadows' in American narratives), and they're referenced as a joke (check out the scene with the black leather jacket episode).
Oh, they're so funny, those 'black people.' Black people drive Ubers. They park cars. They serve food. But they don't live in the neighborhood, and they certainly aren't friends with any of these people. These are the whitest people in (what looks like) California. Even the Hispanic relative (Colleen--whose family is so pathetic they didn't even show up for her ridiculously haphazard wedding) makes her own racist Latino jokes (that's generous of her). But she isn't allowed to create a mixed baby--nope. She has to adopt the potentially whitest baby possible from the most degenerate character on the show: a rude, mean, narcissistic, potty-mouthed high school dropout (mom's-dating-her-ex) blonde girl's out-of-wedlock, one-night-stand baby is preferable to the mixed infant of a loving couple.
I get it.
I guess the writers couldn't figure out how that would work. Non-whiteness is just too complicated. And that's just racist. But I'll keep watching this show in spite of the racist message (black people don't exist except as a shadowy, useful backdrop for white people's more interesting, relevant lives) because it's important to see what writers are (not?) thinking about black and brown people in America these days. And it's important for me to remember that there are segments of this nation that live their daily lives without any meaningful relationships with people of color--no friendships, no intimacies or shared experiences . . . until they want to be served.
Life in Pieces is often hilarious, usually insightful, and fully racist. Black people appear as if this is a plantation narrative: they're 'the help,' they're 'in the background' (check out Toni Morrison's Playing in the Dark--a profound analysis of the way black people function as 'shadows' in American narratives), and they're referenced as a joke (check out the scene with the black leather jacket episode).
Oh, they're so funny, those 'black people.' Black people drive Ubers. They park cars. They serve food. But they don't live in the neighborhood, and they certainly aren't friends with any of these people. These are the whitest people in (what looks like) California. Even the Hispanic relative (Colleen--whose family is so pathetic they didn't even show up for her ridiculously haphazard wedding) makes her own racist Latino jokes (that's generous of her). But she isn't allowed to create a mixed baby--nope. She has to adopt the potentially whitest baby possible from the most degenerate character on the show: a rude, mean, narcissistic, potty-mouthed high school dropout (mom's-dating-her-ex) blonde girl's out-of-wedlock, one-night-stand baby is preferable to the mixed infant of a loving couple.
I get it.
I guess the writers couldn't figure out how that would work. Non-whiteness is just too complicated. And that's just racist. But I'll keep watching this show in spite of the racist message (black people don't exist except as a shadowy, useful backdrop for white people's more interesting, relevant lives) because it's important to see what writers are (not?) thinking about black and brown people in America these days. And it's important for me to remember that there are segments of this nation that live their daily lives without any meaningful relationships with people of color--no friendships, no intimacies or shared experiences . . . until they want to be served.
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